Advertising Is Killing Distribution Platforms

Agressive and intrusive advertising techniques seem like they are the road to profitability, but there is a wake of evidence showing how it systematically destroys the very platforms intended to generate revenue.

The Goose That Laid The Golden Egg
The Goose That Laid The Golden Egg

If revenues are the golden eggs, and media/apps/websites the goose, then aggressive, intrusive advertising practices are the hatchet that killed the goose.

The evidence is everywhere.

Broadcast television used to have commercials between shows, then during shows, and eventually digressed to the point where the frequency of continual viewing interruption made it so that certain channels weren’t worth watching anymore.  And, oddly enough, to make up for lost revenues, those channels increased the amount of advertising.

From this cable television was born, based on the the idea that if the consumer paid for content, the majority of it would be advertising-free. Although within not much time, advertising leaked in again, and eventually people were back to the old model that used to work: advertising between shows; only this time paying for the privilege.

Then a new consumer product arrived on the market, TiVo, which helped customers skip past commercials; but this early feature was all-to-quickly neutered to fast-forward-only so you’d still have the opportunity to at least see the commercials in the event you wanted to watch one.

While more modern TiVo units now have reintroduced the skip commercial ability, the once clean graphical interface now is littered with dynamic menu choices for products, shows, and offers that appear when you pause to view a frame or try to avoid the commercials.

In response to all this, broadcasters started injecting banners and overlay graphics during the show so you “had” to watch, consuming screen real-estate to announce other shows, products, or news changing the entertainment into a dashboard. Meanwhile producers started injecting product placements into actual content. In the process it means all the display pixels you paid for aren’t being used effectively, it’s distracting to watch, and can lead to some rather embarrassing sexual mishaps between show and ad for the network.

Overall, entertainment quality has gone down, presentation quality has also gone done, consumer costs have gone up, and it’s no wonder we now see a whole generation of cord cutters who have found other means to go straight to content.

The DVD market suffered a similar fate.  There was a time when you bought a DVD, you got the movie and possibly special bonus material, and that was all.  DVDs started inserting trailers and other commercials at the start of the movie. For a while, consumers would skip to the actual content. Then that capability was removed, and consumers fast-forwarded, which itself was challenged by the now famous “option not available” notice.

In response, streaming services appeared and consumers stopped stocking their media collections at the rate they once had.  But now we see pay-for streaming media starting to inject previews and advertising in front of shows.  We know where this leads: service termination and few barriers to exiting the moment a new technology surfaces. And it will, it always does.

YouTube’s success led to advertising, not surprisingly at the beginning of a video. And as viewers skipped as soon as possible, a new trend appeared: advertising pop ups over the video. (See a trend?) So while watching content, one is constantly distracted, having to dismiss dialogs; while dealing with that, one isn’t digesting the content. And like we’ve seen before, this leads to platform abandonment.

Other competing video streaming services have started to give rise.  It’s surprising, but consumers will often take less content and less quality in exchange for less advertising.  YouTube Red emerged as an advertising-free subscription service, just as the cable companies did before. We know where that goes next.

Netflix, Amazon Prime, and HBO were quick to discover that developing high-quality original content would lure viewers, but as more familiar advertising tendencies start to surface, enthusiasm for these platforms dwindles. At some point one starts to ask is the subscription cost justifying actual usage patterns, as consumers are slowly being pushed away. Consumers are becoming more picky while businesses look for augmenting recurring revenue.

Homes all used to have land lines, and as cell phones became cheaper and popular, house holds got them in addition to their highly reliable land lanes. However, with telemarketers invading at all hours, land lines became a dumping ground for calls we didn’t want to take.  Services like Caller ID appeared, as well as the national Do Not Call list. However, due to no security in how caller ID works, numbers can be spoofed. Meanwhile, law enforcement has been ineffective at dealing to those breaking the law regarding the no call list, and advertisers for the most part ignore it.  Politicians have self-servingly made themselves exempted and are often some of the worse offenders. The result, consumers have disconnected their land lines and are now mostly cell based.

However, it doesn’t take much any more for a new cell phone number to get out into the wild and make it into a robo-caller list. The net result, if someone doesn’t recognize a number, they tend not to pick up. Our cell phones are becoming spam dumps, and once direct access to someone is now fading. Meanwhile, advertisers having grown wise that people are letting content drop to voice mail, and so leave automated recorded messages, which at the end of the sales pitch, one might have the opportunity to be removed from that list (which never gets pressed), although that merely confirms the number works for other endeavors.

This has in turn led to a shift in how we even use phones to communicate, and text messaging is rapidly replacing phone calls.  Even now, we’re starting to see advertising start to break into text messaging, initiated by none other than the very carriers of the service.

The home mailbox, originally intended for correspondences and packages, soon became the primary methodology of mass advertising. Consider the signal to noise ratio of your actual mailbox content between what you want verses unsolicited advertising that you have to sort through after each trip to the mail box. The difference in pile size is growing.

With so much volume introducing delay, it’s no wonder that there isn’t a measure of care during processing, and goods often arrive damaged, which in turn devalues most people’s impression of the U.S. Postal Service, their trust in it, and consequently their use.

To avoid postal mail, most people have switched to email and electronic billing; aside from the occasional package from Amazon, there’s relatively little reason to check a postal mailbox on a daily basis anymore.

We will never see postal mail delivering more than once a day as it used to not that long ago with morning and evening deliveries. And because the service is become so bad and fewer people using it, its led at least to discussions of not delivering on weekends.

Services once reserved for over night or over sized deliveries have taken on more casual load once entrusted to the post office. At the moment, advertisers find the service too expensive, so the rate structure is keeping things in check. Should that change, we know what will happen.

Email used to be a way to send messages to one another, and as the population with email addresses grew, advertisers saw it ripe for exploitation. It’s lack of encryption meant that anonymous senders could forge false from addresses and perform automated bulk mailing on a scale of unprecedented magnitude. Worse yet for the unaware receiver, the spammer can often detect if the message was read and use that information to cultivate a list of active emails. If the sender could employ social engineering successfully, it was actually possible to install advertising software on the receiver’s machine — often without them knowing. And best of all for the advertiser, under this model, the receiver pays to receive and store the message!

At this point, it is estimated that 80% of internet traffic is spam.  Not emails.  Internet traffic.  That’s a lot of bandwidth that you’re paying for with 80% of it being used to help other people advertise at little to no cost to them.  And the problem is only getting worse.

Despite spam filters, firewalls, and anti-virus software email has gotten so bad that most people have several email accounts, and use one for highly likely spam and another for personal communication. However, the moment one of our contacts shares the personal email address with some bulk email list, it’s relatively little time before it gets compromised and we’re on to another new email address, where the process starts all over, just like folks eventually changed their phone numbers for a little peace.

Websites, attempting to capitalize on traffic, started presenting advertising on the sides of their pages, and later interlaced within the articles themselves. Screaming for visual attention, ads became more gaudy, employed blinking, animation, sound and video, and pop-up dialogs, pop-under dialogs, which soon overwhelmed the value content. Visitors responded with ad blocking tools.

Websites responded by waiting a little bit and then putting a pop-over that blocks out the content below, this obnoxious behavior usually leads to site abandonment as it’s just not worth it. Sometimes, abandonment can’t be avoided: say you’re using the Flipboard app to get your news on an iPhone, it takes you the ScienceNews website, they invoke a non-mobile friendly pop-up, and you can’t see the content nor can you dismiss it. Such websites become dead to visitors.

Admittedly, this may be some interaction between 1Blocker and their advertising code, but seeing that 1Blocker can dramatically speed up load times -and- save on carrier data usage, between it and visiting such a site, 1Blocker wins hands down.

A number of websites have taken the approach that if you don’t let the advertising through, they won’t show the content. Sounds reasonable until you realize they aren’t vetting the advertising content that’s being shown. And malicious advertisers are exploiting that.  The consequence of opening a rectangle of any-old content makes solid brand names incidental parties into delivering malware straight to your system. GRC provides a recent list of sites, who just by visiting, have been found to infect machines via advertising services: The New York Times, the BBC, MSN, AOL, Xfinity.com, NFL.com, Realtor.com, TheWeatherNetwork.com, TheHill.com, Newsweek.com, Answers.com, ZeroHedge, and InfoLinks.

A more disturbing practice involves hardware manufactures installing advertising malware in the hardware to make a little extra profit per unit sold. We’ve seen Dell and Gateway load up cruft on new Windows systems, but laptop maker Lenovo built mechanisms into their systems to bypass the end-user’s ability to keep the system clean, even on a pristine reinstall.  This practice took them from being one of the most sought after name brands to one to be avoided, all thanks to aggressive and intrusive advertising practices.

Software is no different. Oracle got busted for making the Java installer schedule a background task for a few minutes after installation and then install advertising software; this way the end user wouldn’t notice anything wrong and presumably think it was caused by something else. Both have serious ongoing damaging effects to the Oracle and Java brands in professional circles.

Likewise, many software installer products use deceptive wording to get Ask and Yahoo toolbars installed, all for their own piece of the pie. Both search engines, once considered at least respectable, have lost significant ground to other players from both reputation damage and public mistrust, as well as firewall and ad-blocking rules to prevent installation of such nonsense.  Browser owners are encouraged to remove Flash, Silverlight, QuickTime, and Java extensions from their browsers, as this will greatly reduce the attack vector as well as many malicious “advertisement” payloads.

iPhone apps have the ability to show a small banner on occasion or produce a pop-up in the middle of the app. Not only are these practices distracting to the end user, but are reinforced because the more they’re shown, the more revenue made. That makes advertising apps seemingly more profitable than fixed priced apps, which in turn is driving down the amount a professional app can earn.

All of this is changing consumer behavior, and we see app abandonment on the rise, diminished purchasing habits especially in impulse buying, and a noticeable dip in quality and creativity in the available selection.

Even Windows 10 has started to put advertising in its Start Menu and screen saver, and that’s not even counting the aggressive multi-gig push, annoying notifications, deceptive wording on dialog boxes to get you to install it. Such things can not be helping platform adoption.

The evidence is everywhere, aggressive and intrusive advertising practices actually hurts the very distribution platforms that are trying to benefit from it.

We need responsible advertising, not necessarily no advertising.

The Pattern is Clear

Worthwhile content is created, a distribution channel is developed for it, the audience grows. At some point, someone gets the idea that a little advertising will generate a little bit of revenue, and in the short-term it works.

Then the fallacy of if-a-little’s-good—then-a-lot’s-better kicks in, and either the distribution channel gets saturated with ads, the content gets damaged, or the ratio between the two gets so disjoint that the over all value tanks.

Desperation and greed can push the state of things beyond recovery, and what was once a sustainable system no longer has the following it once did, and usually by this time the audience has moved on to other technologies.

Synopsis

  • It appears we’re great at repeating history, but neglecting consequences.
  • Consumers are willing to pay for great content without advertising.
  • Consumers do not want to be distracted by anything else while engaging with content.
  • Advertising requires a balance, more isn’t better. It must be done responsibly.
  • Intrusive and aggressive advertising leads to platform abandonment.

Babylon 5: Walkabout – What’s That Song?

There’s a song in Babylon 5 (“Walkabout” – Season III, Episode 18) that starts with the lyrics “Do you remember…” but the song isn’t credited in the end titles, and neither is the singer. If you’re looking for who sings it, the title, the lyrics, and where to buy it, here’s the answer.

Recently I’ve been watching Babylon 5 marathon, and it rekindled something I had wanted to research. In an episode called Walkabout (1996, Season 3, Episode 18, DVD Disc 5 @15:30-17:50), Dr. Franklin falls in love with a singer named Cailyn. In the scene he walks into a bar on the space station and she’s seductively singing a song.

That song is some of the most well performed smooth singing, and upon looking in the show’s broadcast credits, I was unable to find the actress or the name of the song. Many people want to what the song is and who sings it.

Babylon 5 - Walkabout SoundtrackThe song is called Goodbye, sung by Erica F. Gimpel, though some may spell it as Erica Gimple. She has a minor WIkipedia entry, pictures on Google, and a website about her.

Bootleg copies appear on YouTube and sometimes title it as “Do You Remember,” but the lists this as “Goodbye” by Erica Gimpel. The site beemp3.com, found with Google, offers a download of the MP3 (duration 02:44) by filling out a simple captcha.

Lyrics: Goodbye, sung by Erica Gimpel in Babylon 5: Walkabout.


Do you remember,
when you,
told me you love me?

Do you remember,
when you,
told me you cared?

Now, I,
Standing on the edge,
Forever.

And for the first time,
I confess,
I’m scared.

Cause it’s our last night.
Our last kiss.
So turn down the lights, and hold me.

Oh lie to me,
Until I believe,
I will be here in your arms, for eternity.

I remember,
The first time,
You touched me.

I remember,
The first time,
I cried.

Oh, I,
remember,
every minute, ever hour
and I remember,
The first time you lied.

Cause it’s our last night
Of our last kiss.
So turn down the lights,
And hold me.

Oh, lie to me,
Until I believe,
I will be here in your arms,
for eternity.

But I know you, baby,
And I hear you.

I understand you,
Completely.
It’s over for you.

Ohhh ohh oooh,
I love you baby,
But I will say goodbye…

Know you baby,
And I hear you,
I understand you, completely,
It’s over for you.

I love you baby,
But I will say goodbye.

Good-bye….

Turns out she also does the end credit song for that episode as well. I have not been able to find the title to this song. But here are those lyrics as well.

Lyrics: Walkabout End of Episode and Credits, sung by Erica Gimpel in Babylon 5: Walkabout.


I think about the things we lost,
And I think about the things we had,
It’s funny, but as long as I have you,
Then, I guess, it wasn’t so bad.

Now, we’re running out of time,
And dancing all the while,
The engine sure went empty,
And I think I’m smelling fire.

I gave ya love, ya gave me fire.
I took ya in, ya took me higher.
If I wasn’t what you wanted,
then tell me what it was…

I gave you all that I believed.
Now I’m standing here, without a clue.
Can’t ya tell me what it is ya need?

I gave ya love, ya gave me fire.
I took ya in, ya took me higher.
But, if I wasn’t what you wanted,
then tell, me what it was….

If you’re not here, raise your hand.

Last night I was watched a very impressive and emotionally compelling seance.

It included objects moving on their own, volunteers themselves channeling spirits not a specific medium, where they’d revealing knowledge they couldn’t have, such as the contents of a sealed envelope. No stooges or actors were used in conducting the actual seance. They were very much freaked out by the experience.

Of course, it wasn’t real; it was an elaborate television special conducted by a famous magician who excels in deception, using magic and psychology, as an experiment to see if a modern day audience would be suckered by such showmanship. Disappointly, they were. And, in the end, the magician even showed the participants how he pulled it off and manipulated them, hoping they’d question their beliefs about the supernatural that made them fall for it. It’s clear that he, like many other magicians, do not have a belief in the supernatural and get very cheesed off when tricks of the trade are passed off as genuine, especially for the sake of defrauding.

It was amazing how easily smart people get suckered. For example, they were all told to look at a set of photographs and let one come to them, but not to reveal it. However, outside the context of the seance, it was no different than when, say, David Copperfield would have you put your finger on the television anywhere and tell you to follow his instructions, revealing your position at the end; this was just more sophisticated. Later on he’d make them reveal that name using a makeshift Ouija board (he also explained how that worked). Sneaky, if not genius, to apparently take himself out of the loop.

Of course, the Ouija board is more psychological trickery, especially since the dead spirit being called on happened to move the glass happened to be an actress sitting outside in a van. None the less, the glass moved, as it had to, with no stooge touching it, leaving them to invent a plausable explaination for the context they were in.

It started with the directions “Everyone ask, ‘Are you here spirit? If you’re here, move the glass to Y, for yes.”

At that point I paused the show, turned to the person next to me and stated, “If you’re not here spirit, move the glass to N, for no.” It was the spooky equivalent of “Everyone who’s not here, raise your hand.”

Battlestar Galactica and the writers strike

My speculation on what turns the new ending of Battlestar Galatica will take.

It’s been in the news that the ending to Battlestar Galactica has been rewritten.

Supposedly, it’s darker. Depressing. And, you might need a security blanket to get through it.

Here’s my speculation on what happens:

  1. Adama finds Earth.
  2. The Cylons find Earth.
  3. The colonies are wiped out.
  4. But, the Cylons finally figured out how to reproduce.
  5. We, the viewers, are actually Cylons.
  6. And to atone for their sins, the Cyclons made themselves forget they are Cylons.
  7. The only remaining evidence is a population that is monotheistic, with legends of a polytheistic society.

Siegfried and Roy

Carrot Top made a rather dark comment about Roy (of Siegfried and Roy), and that got me wondering… how is Roy really doing.

During the Criss Angel roast in the Fantasy (12/29/2007) episode [#57] of Mindfreak, Carrot Top (Scott Thompson) made the comment: “Criss Angel the sexiest magician in Las Vegas? What’s your competition? The Amazing f[bleep]ing Johnathan, Penn & Teller, Siegfried and whatever’s left of Roy?”

And, despite my appreciation for dark humor and love for constitutional free speech, the flippant reference to the tragedy made me wince.

I’m not one of people who’s going says “it’s too soon,” makes a career of being personally offended, or demands apologies. I put the comment right up there with off remarks about 9/11 and the Challenger Explosion. In some context such things are funny, and in some they’re painful.

What made me wince, however, was the fact that I hadn’t heard anything about Roy in a while. He was a kind man, and we’ve seem to have forgotten him.

While in Vegas this last week, I had a chance to speak with one of Siegfried and Roy’s neighbors. He shared a fairly candid view on how Roy really is doing. It wasn’t pretty.

What I will share of the conversation is that the press is putting a pretty good face on it, but he’s partly paralyzed and there is some definite brain damage going on. He may stand there and look at you while you’re talking, but not be all mentally there as evidenced from lack of facial expression or interaction. The white tiger “attack” (though many suspect it was trying to protect Roy as he had a stroke) really messed him up. He’s functional, but it’s clear things aren’t going to get better, and it’s been very hard on Siegfried, who’s been endearingly supportive.

Roy, your friends and fans still think of you. We miss the way you bridge humans and animals using compassion and love as a bond.

Battlestar Galactica: Razor – I held it in my hands…

Actually had a copy of Battlestar Galactica Razor DVD in my hands today.

Cylon HeadToday I went to Target, and there in the DVD section was Battlestar Galactica: Razor.

I picked it up and held it in my hands. In fact, I did better than that. I went to the check out register.

That’s when the device beeped. I was quick to learn that the product could not be sold to me until December 4th.

I understand Target’s contractual obligations, and I respect that. But it’s also very unlikely that I will be in Target that day, having plenty of time to price compare. These kind of delayed releases actually cost stores sales, especially those impulse buys.

As a consumer, I’m not at all thrilled with waiting, whether it be for Harry Potter book seven or the latest movie release. When delay is introduced, I believe we all lose. The consumer learns they can live without the product, and to wait a little more causes no harm. The store is aware the consumer is willing to pay the most when they first see the product.

So, rather than groaning about the movie industry inflicting self-wounds and collateral damage, here’s what I read on the DVD.

First, it was the Extended Widescreen Unrated “What They Couldn’t Show You On Television” Edition.

It had Battlestar Galactica facts, and what looked to be a really neat directors commentary.

It was unclear if the unrated was for more brutality, sexuality explicit scenes, or just because the new content wasn’t passed by anyone who would take the time to rate it.

Based on what previewed on the SCIFI channel, I speculate that this DVD is gonna get a Thumbs Up.

TiVo and Verizon Guide Information Is Out of Sync

TiVo recording the wrong stuff for you? It is if you’re a Verizon customer in the Washington Metro Area. See, Verizon is changing their channel layout, but TiVo’s adopted it several hours too soon. Hopefully by tomorrow this will straighten itself out.

For the first time in literally years, TiVo was recording on the wrong channel. No, it’s not because the cat was pawing at the IR transmitter; I’ve got a Verizon FiOS, so my TiVo connects via a serial port.

According to Verizon’s web page, they’re expanding their service and had to jumble the channels around. Here’s a listing of the old channels and the new equivalent channels.

The changes happen according to this schedule, and in theory Verizon will adopt the new channel sequences tomorrow (Feb 20th, for us VA/MD people).

TiVo, however, has already gotten the updated channel guide and applied it. Meaning, that for the next 12-24 hours, TiVo will be confused about which channel to use. Honestly, Verizon was pretty pro-active about letting people know when the switch over would change, so I’m kinda surprised TiVo made the change ahead of schedule. I suspect we’ll see a bit of griping on the internet and then it will all fade away, given the small window of time.

Bye, Everwood

Everwood has its series finale… what will I do with my date nights now?

Well, it was a bitter sweet goodbye to one of our favoite television series, Everwood.

Andy Brown found himself, said goodbye and made peace with his departed wife, raised his children well, and his heart finally healed allowing him to find new love. The series employed a wonderful style of humor, patience, and a loving, giving, kindness that historically has always been attributed to shows with Michael Landon.

It’s nice to know that there can be good television that invokes drama and touches on issues without degreading into nothing but a soap opera, and where not all story threads have to have a happy ending. Everwood comes to a close well before jumping the shark, and I look forward with hope to something of its equal to replace the time slot.

Is good television sustainable?

Is good televisions sustainable, or will its own popularityeventually price itself off the air. I think there is a solution, and oddly enough, the show ’24’ provides the clue.

During lunch today we started discussing what constituted good television that has an addictive nature to it.

Drama shows like Battlestar Galactica and Lost pull you in.  But it seems the better the show, the more likely it is to disappear.  Firefly and Farscape vanished due to budget reasons, rather than failed content.
Clearly, someone out there knows how to write good television: it’s possible.

But is it sustainable?

My co-worker mentioned that he’s gotten sucked into watching the television series 24.  And, while he reports that it has reached absurd proportions for plot, that made me ponder there just may be a solution to bad television.

We’re all familiar with the direction of Friends; the cast demanded higher and higher salaries, and without the popularity of the times, the show would have budgeted itself out of existance.  Worse yet, without compensation to throw at writers, a show is more likely to jump the shark.  What’s popular becomes boring.
24 is one of those rare shows where they aren’t afraid to kill off main characters.  This does two positive things.

One, it means, as a viewer, one doesn’t know what to expect – anything is possible; that’s been a big problem with many shows, if the main characters gets in mortal peril, it’s actually just a matter of how they get out, not if. This keeps viewers interested and builds a tighter emotional relationship with the characters.
Two, if any character can be written out of a show, then they can be written out for real-world contractual reasons; an actor demanding an inflated salary can no longer hold the show hostage, which in turns means a good show can stay fresh and have a longer life span.

The up shot is that with disposable characters, a show will have to be of better quality and it will be more affordable to produce if it does well.